By Nina Guy
The Adam Small Theatre filled with smiling faces, from young children to seasoned dance enthusiasts, all excited to experience the masterpiece called SALT. The evening’s events moved between grace and surprise.
The first act, “Reverie”, choreographed by Kirsten Isenberg, opened the night with pure elegance. Soft pink tulle spun across the stage like clouds. It was everything one would expect from classical ballet. It was refined and breathtaking in its grace, and truly a strong start.
Then came “Chapter Two”, choreographed by Mthuthuzeli November. The tone shifted dramatically as the stage became charged with intensity. Deliberate and militant rhythm defined this act, showing November’s distinctive style. The trio performance definitely stood out for its energy and precision.
Also choreographed by Kirsten Isenberg, “Nocturne” followed with a tender love story that touched hearts, and left many people in awe. The silence between the movements was just as expressive as the dance itself. The performance blurred the line between the stage and spectator to create a moment of pure stillness.
Finally, “Smoke”, choreographed by Michelle Reid, broke the audience’s expectations by fusing jazz and ballet in a bold finale. A wash of red lights and smoke created a perfect atmosphere for the element of surprise. At first the combination was unconventional, but it grew captivating. Who knew jazz and ballet could be such a perfect combination? The last dance left the audience on their feet as a well-deserved standing ovation continued for a few minutes.
Each dance had their own story and personality. The dancers, choreographers and composers captured it perfectly. The dance and movements lingered long after the curtain closed.
