By Kris Bence
We’re at a tipping point; the threat of climate change and environmental degradation is the most prevalent it’s ever been. Our ecological realities in recent years have become defined by states of decay and the irreparable damage we have inflicted upon this earth. When so much of our world is built upon the foundations of exploitation, are we still capable of restoring or reverting what we have done? If so, how are we to even start thinking about renewal? These questions are at the heart of An Apprenticeship with Sorrow (directed by Lwanda Sindaphi) as it delves into the ways in which human and ecological systems are interconnected.
The theatrical experience concerns itself with themes of loss, grief and societal collapse. Through the portrayal of dementia and the onset of decay in humans, the play presents a conceptualization of collapse that would challenge even the dreariest climate nihilist. Some might consider it a little too highbrow whilst others might see it as a very thought-provoking exploration of current global concerns and the conception of grief, decay and collapse.
The hauntingly beautiful performances from both Sara Matchett and Nina Callaghan were mesmerising and are sure to etch themselves into the collective memory of Woordfees festival goers as standout performances of the 2025 festival. Over the span of about 60 minutes, An Apprenticeship with Sorrow manages to captivate from start to finish.The trademark of any good artwork is its capability to prompt meaningful discussion – this piece does just that.
