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Kerkorrels kry nuwe lewe by ‘Zoid Psalms’
Deur Jana Burger Karen Zoid het by haar Woordfeeskonsert, Zoid Psalms, twee goed bewys: Eerstens, dat niemand die mees lukrake liedjies so goed soos sy kan kombineer nie (Laurika Rauch en Radiohead het nog nooit so goed… read more
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Breytenbach’s ‘Boklied’ revived for the modern stage
By Lilja Flohr and Emma Olivier During this year’s Woordfees, the famous Afrikaans play Boklied made a comeback 28 years after its first performance in 1998 at the Klein Karoo Nasionale Kunstefees (KKNK) in Oudtshoorn. Its premiere… read more
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Bertus Basson se hardkoppigheid lei na sukses
Deur Nina Guy Tydens die Toyota Woordfees het Mia Spies van Netwerk24 ’n inspirerende gesprek met Bertus Basson gehad oor sy pad na sukses. Die bekende sjef en restauranteur het vertel van sy vroeë dae in Engeland… read more
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‘Being There’ again: Tony Leon’s brief return to politics
By Roosje Grobbelaar Tony Leon is the longest serving leader of the official opposition in the Parliament of democratic South Africa, and was also appointed by former president Jacob Zuma to serve the country as Ambassador to… read more
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Die Piesangskille ruk die Woordfees-verhoog
Deur Jana Burger By wat net beskryf kan word as die feel good–konsert van hierdie jaar se Woordfees-vieringe, het “’n random band van Potch” op 16 Oktober in Jan Marais park kom optree. Die duo, Daniël Francois… read more
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From ‘Reverie’ to ‘Smoke’: SALT Ballet’s night of grace
By Nina Guy The Adam Small Theatre filled with smiling faces, from young children to seasoned dance enthusiasts, all excited to experience the masterpiece called SALT. The evening’s events moved between grace and surprise. The first act,… read more
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Zonia Nel-Scheffer brings depth and reflection to Woordfees
By Anica Hattingh South African-born visual artist Zonia Nel-Scheffer has long captivated audiences with her distinctive paintings which delve into themes of solitude, identity and the human condition. Her work is marked by a sensitivity to emotional… read more
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‘An apprenticeship with sorrow’: what we love, we will lose
By Kris Bence We’re at a tipping point; the threat of climate change and environmental degradation is the most prevalent it’s ever been. Our ecological realities in recent years have become defined by states of decay and… read more
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An afternoon with Bheki Khoza
By Ella Bosman As spring has arrived in Stellenbosch, it seems fitting that it should be ushered in by the tune of African jazz. On Friday, 10 October, the Stellenbosch Conservatory spilled over with the enchanting melodies… read more
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“It feels like coming home”: Exclusive Interview with Will Linley
Interview by Zara Leask Baggesen Following his memorable performance at Woordfees in Stellenbosch on 15 October, singer-songwriter Will Linley sat down with Die Matie to reflect on what felt like a true homecoming. The 24-year-old, who once… read more
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Woordfees: Easy Equities Skrywersfees
‘Binnerym van bloed’: Antjie Krog se afskeidswoorde Deur Jana Gous Daar is min skrywers wat so ’n groot impak op die Afrikaanse literêre landskap gemaak het soos Antjie Krog. Haar nuutste, en in haar eie woorde “laaste”,… read more
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Awaken: Ramon Alexander and the Stellenbosch jazz scene
By Louis Kruger Jazz is the most egalitarian of music genres – even played under the strict gaze of Ramon Alexander, who commands his stage with off-beat panache, cueing in players, marking time with his piano strokes… read more
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‘“KUNS”’: Een bleek doek en ’n moewiese argument
Deur Kris Bence Wat is kuns? Waar kom die waarde vandaan en hoe versoen ’n mens verskille in smaak? Alles vrae wat “KUNS”, die wêreldbekende drama deur franse dramaturg Yasmina Reza, nadink. Die vriendskap van Serge, Marc… read more
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’n Begin keer terug Woordfees toe vir rondte twee
Deur Anke Maritz Die Toyota Woordfees-produksie, ’n Begin, het ná sy debuut in 2024 weer hierdie jaar feesgangers vermaak by Idasvallei Primêr. Die toneelstuk verken die realiteit en kompleksiteit van moderne verhoudings, en die uitdagings wat daarmee… read more
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‘Echoes of the New World’: an exemplary showcase of classical music in the Cape
By Jana Gous The Winelands Philharmonic Orchestra’s performance on 12 October in the Endler Concert Hall was packed with compositions both new and old. From opening with Weber’s Der Freischütz overture, to Kristi Boonzaaier’s brand new Violin… read more
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Behind the curtain: how ‘The Second Coming’ was brought to life
By Savannah Farris Plays entertain and transport audiences from one reality to an entirely new one, but few people actually know what goes on behind the scenes. The Second Coming was recently performed at the Adam Small… read more
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Exploring identity and rhythm through African drumming
By Lilja Flohr The Stellenbosch University (SU) Museum hosted a monthly, hour-long African drumming workshop open to students, staff and the broader community. Die Matie went to the final session on 7 October to find out more… read more
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German rock band Treptow takes on Aandklas
By Lilja Flohr On 13 October, the German-speaking rock duo, Treptow from Berlin, performed at Aandklas, blending music, language, and culture. Their South African tour is part of the “German as a Foreign Language” initiative, supported by… read more
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‘I Started A Nuclear War’: exploring schizophrenia representation in the media
By Jana Burger Do people ever tell you that you don’t look schizophrenic? The drama, directed by Cornelia Hugo, was performed on 3 and 4 October at the Adam Small Theatre Complex and explored stigmatisation and stereotypes… read more
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‘Kyk My in My Oë’
By Anica Hattingh Kyk My in My Oë, a drama written and directed by Christian Schoeman, invites viewers to slow down and truly look at the deeper emotions that hide between the silences. The intimate atmosphere of… read more